HBO’s Fahrenheit 451 staring Michael B Jordan and Michael Shannon – Spoiler-Free Review

Fahrenheit 451 is, perhaps sadly, a timeless tale. In the 65 years since its publication, the original novel by Ray Bradbury continues to haunt us in times of ignorance and fear. HBO’s latest film adaptation staring Michael B. Jordan and Michael Shannon updates the basic concepts of the book into a story that triggers our latest fears.

Jordan and Shannon are riding high right now from their successes in Black Panther and The Shape of Water, respectively, so their presence draws more eyes to this movie than may have otherwise pointed its way. Poetically, this fact suits the movie because though the book may be timeless, this adaptation isn’t. The source material is pureed and poured into a mold shaped by today’s headlines and fears of where we may be heading tomorrow. The world of the firemen who burn books is not brought about by a government trying to control our thoughts, but by Americans sick of the complicated nature of life. By political correctness disgusted by the word “nigger” in The Adventures of Huckleberry Finn. By too many opinions on the Internet confusing us as to what is right and wrong. The Second American Civil War outlawed literature, philosophy, and any form of media that exists outside the sanctioned “9” – the new tightly controlled Internet. (An Internet seemingly free of any Net Neutrality regulation.) The movie plainly states that “The government didn’t do this to us. We did this to ourselves.” We chose this life, just like we’ve elected horrible leaders.

While idly sorting through a large cache of books before lighting them on fire, the firemen find great works of literature clearly worth saving, yet also among the piles is Mein Kampf. In this scene political correctness is brought up, and by ending the scene with Hitler’s infamous book we are reminded that the freedom to read comes with no strings attached – it must. Even in this future world three classics of literature are allowed: The Bible, To the Lighthouse, and Moby Dick. The inclusion of The Bible is clearly meant to poke at America’s de-facto Christianity, but all three of these books are objectively literary classics. Anyone can read these without punishment, but all other books have “problems” and contain only madness.

This is America. An America that censors books for any and every reason. An America where Texas conservatives call for the banning of books because they feature LGBT characters. An America where California liberals ban fifty year old books for racial slurs. To ban even one book is to risk walking confidently into Bradbury’s nightmare.

It is not hard to turn today’s American headlines into tomorrow’s dystopian America. It is comically easy to turn Homeland Security’s trademarked slogan “If You See Something, Say Something” into the catchphrase of any oppressive government run by fear, and Fahrenheit 451 doesn’t pass on the opportunity. I’ve always been a fan of modern film adaptations of classic novels because they can bring the cultural influences of today to bear on the iconic stories of yesterday. Streaming video and a thinly veiled mockery of the Twitter feed pervade the society of Fahrenheit 451, keeping everyone occupied and entertained without wanting to part the pages of a paperback.

Fahrenheit 451 is a novel for people who love books, and this latest adaptation is a film for people who love books. The passages read from outlawed books all “coincidentally” fit the mood of the film at that point in the story, thus the character’s actions are contextualized through other works of literature. The movie strives to remind us what we lose when we turn away from books that make us feel flawed and small, towards the instant gratification of our social media feeds. It is not a perfect effort, but it is worthy of praise as being a film for the current mood in America.

4 out of 5 stars.

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About Andrew Porwitzky

Dr Andrew Porwitzky is a professional scientist, comic book junkie, and freelance writer. He is also on Twitter way too much.

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